The
meaning of Mr. Crowley's high-sounding appeal to the Western
Republic seems to be, “For godsake, let us—Britain and
America—join hands as allies, and we shall make the world, or
the unfriendly part of it, tremble!” Hear how he beats the big
drum:—
“The
fire of love no waters shall devour;
The
faith of friendship stands the shocks of time;
Seal
with your voice the triumph of this hour,
Your
glory is our glory and our power,
Alliance
of one tongue, one faith, one clime!
Seal
and clasp hands: and let the sea proclaim
Friendship
of righteous fame,
And lordship of two worlds that time can never tame.”
Thus
he goes on for thirty-five stanzas, printed on quarto pages. He
requests America to forget her “fools,” as we have forgotten
their “words,” and to join our “worlds” in “one amazing net of
empire and dominion” till one particular country stands aghast
and clokes its traitor head. Then he says—
“The
traitors and the people and the kings
That
love not righteous things,
They
shall behold our wrath, and finds our anger stings.'
And
again—
“What
matter that some strive to waken hate,
Traitors
to either State,
Hang
them in chains! Our way to freedom cannot wait!”
That
is fine language for a man who, on the whole, is in favour of
peace. This is how he concludes, in addressing the Republic :—
“O
child of freedom, thou are very fair!
Thou
hast white roses in thy eager breast,
The
scent of all the South is in thy hair,
Thy
lips are fragrant with the blossoms rare
Blown
under sea waves when the white wings rest!
Come
to our warrior breast, when victory
Sits
passionate and free—
Ring
out the wild salute! Our sister over sea!”
The
first lines in that stanza are in the style of Solomon's Song;
the rest have the tone of a rhymer who used to be described as
“Big Bow-Wow.”
—The
Glasgow Herald,
4 January 1900.
______________________________
Mr.
Aleister Crowley’s APPEAL
TO
THE
AMERICAN
REPUBLIC
(Kegan Paul, (6d) fairly represents his more dedicatory and
laudatory manner. His stanzas march resoundingly and there is
no lack of energy about them, but politically they mean too much
and poetically they mean too little. France, we gather, is to
retreat and Russia step aside, and all the world to keep
silence, while England and America join hands and proceed
wrathfully down the ages amid various phenomenal manifestations
of delight on the part of earth and sea and sky. A superfluity
of windy imagery gives to the whole poem an air of bravado which
is consistent neither with the spirit of the “appeal” nor with
the self-contained attitude of Great Britain at the present
moment. There is too much about splendid kissing and fervid
handclasping and delicious smiling, and we do not like “fangéd
pen.”
—Literature,
20 January 1900.
______________________________
Nothing
remains for me to say
of
the
orthodox poetry
the war has provoked. The worst has
been said and
the
worst
is
true. In the"
English
Review" Mr. Aleister
Crowley
addresses an Ode to America, from
which one
would
suppose
that that
sordid continent
has become for Mr. Crowley one of Swinburne's
idealised girl harlots. Did
anybody ever
hear
such language as
this addressed to
a continent of
Yankees
intent on capturing German trade in South
America
while England holds up
German shipping at
her
own cost?
O child
of freedom, thou
art very fair!
Thou hast
white roses
on
thy eager breast;
The
scent of all,
the
South
is in thy hair:
Thy lips
are
fragrant—
No,
I
cannot
bring myself to
copy out
more
of
the patchouli.
R.
H
.
C.
—The New Age,
8 October 1914. |