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Title: |
Book 4
(Part II). |
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Upper Cover
Lower Cover
Spine
Cover/Spine
Interior Cover
Title Page
Frontispiece
Publisher/Price
Errata Slip
MMM Information
Page 1
MMM Information
Page 2
Book Order Form
Order Form for Book
Four - Part III
Frater Achad Insert
Advertisement from
the Occult Review
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Print
Variations: |
500 copies printed.4
Printed on machine-made paper.1
All edges cut.2
Bound in a black cloth spine with blue boards.2
Upper cover lettered in black ‘BOOK | 4 | BY : FRATER
:PERDURABO : | AND : SOROR : VIRAKAM | [printed down the
right-hand edge of the upper cover] T∆M 444 | AB | A’. 2
Spine has a paper label lettered vertically down the
spine ‘BOOK | 4 | PART | II | Two | Shillings | WIELAND
| AND CO.’2
5 3/8” x 5 3/8”.2 |
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Publisher: |
Wieland
and Co., 33 Avenue Studios, 76 Fulham Road, London.3 |
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Printer: |
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Published At: |
London.1 |
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Date: |
circa May 1913. |
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Edition: |
1st
Edition. |
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Pages: |
viii +
186.1 |
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Price: |
Priced at
4 tanners or 2 shillings net.3 |
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Remarks: |
Published
under the pseudonym of Frater Perdurabo (Aleister Crowley) and
Soror Virakam (Mary d’Este-Sturges).
Has an errata sheet
tipped in facing page viii that lists 7 corrections.1
Some
American copies have a slip inserted that reads in part: “Since the writing of this book, FRATER
PERDURABO has attained to a Grade which makes it impossible for
any but the highest Initiates to approach Him personally. The
private instruction which He formerly offered will now be given,
freely as before, by His chosen representative, FRATER ACHAD,
who may be addressed care of THE COLLEGIUM AD SPIRITUM SANCTUM,
Post Office Box 141, CHICAGO, ILL.”5 |
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Pagination:2 |
Page(s) |
|
[
i] |
Half-title |
[
ii] |
(Within a frame) ‘PRICE | FOUR TANNERS | OR TWO
SHILLINGS | NET | LONDON: WEILAND | 33 AVENUE STUDIOS
(76 FULHAM ROAD) | Tel. 2632 Ken.’ |
[
iii] |
Title-page |
[
iv] |
‘Issued by order of | the GREAT WHITE BROTHERHOOD |
known as the A\A\’ |
[
v-vi] |
A
note by Soror Virakam |
[
vii] |
Offer of personal instruction by
Frater Perdurabo |
[
viii] |
Blank |
|
[Tipped in errata slip] |
[
1] |
Fly-title ‘PART II - MAGICK | PRELIMINARY REMARKS’ |
[
2] |
Issued by order of | the GREAT WHITE BROTHERHOOD | known
as the A\A\ |
|
Blank |
|
Illustration "The Magician" |
[3-6] |
Preliminary remarks |
[
7] |
Divisional title ‘THE TEMPLE’ |
[
8] |
Blank |
[
9] |
Text |
[
10] |
Blank |
[
11] |
Divisional title ‘THE CIRCLE’ |
[
12] |
Blank |
|
Blank |
|
Illustration "The Circle" |
[13-17] |
Text |
[
18] |
Blank |
[
19] |
Divisional title ‘THE ALTAR’ |
[
20] |
Blank |
|
Blank |
|
Illustration "The Altar" |
[21-22] |
Text |
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Illustration "Design Suitable for Top of Altar" |
|
Blank |
|
Blank |
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Illustration "The Holy Oblation" |
[ 23] |
Text |
[
24] |
Blank |
[
25] |
Divisional title ‘THE SCOURGE, THE DAGGER, AND | THE
CHAIN’ |
[
26] |
Blank |
|
Blank |
|
Illustration "The Scourge, the Dagger, and the Chain;
Enclosing the Phial for the Holy Oil" |
[27-30] |
Text |
[
31] |
Divisional title ‘THE HOLY OIL’ |
[
32] |
Blank |
[33-35] |
Text |
[
36] |
Blank |
[
37] |
Divisional title ‘THE WAND’ |
[
38] |
Blank |
|
Blank |
|
Illustration "The Wand, Cup, Sword, and Disk or Pantacle
(drawn to scale)" |
[39-62] |
Text |
[
63] |
Divisional title ‘THE CUP’ |
[
64] |
Blank |
[65-78] |
Text |
[
79] |
Divisional title ‘AN INTERLUDE’ |
[
80] |
Blank |
[81-92] |
Text |
[
93] |
Divisional title ‘THE SWORD’ |
[
94] |
Blank |
[95-113] |
Text |
[114] |
Blank |
[115] |
Divisional title ‘THE PANTACLE’ |
[116] |
Blank |
|
Blank |
|
Illustration "The Sigillum Dei Æmeth, a Pantacle made by
Dr. John Dee" |
[117-129] |
Text |
[130] |
Blank |
[131] |
Divisional title ‘THE LAMP’ |
[132] |
Blank |
[133-136] |
Text |
[137] |
Divisional title ‘THE CROWN’ |
[138] |
Blank |
[139-141] |
Text |
[142] |
Blank |
[143] |
Divisional title ‘THE ROBE’ |
[144] |
Blank |
[145-146] |
Text |
[147] |
Divisional title ‘THE BOOK’ |
[148] |
Blank |
[149-151] |
Text |
[152] |
Blank |
[153] |
Divisional title ‘THE BELL’ |
[154] |
Blank |
[155-156] |
Text |
[157] |
Divisional title ‘THE LAMEN’ |
[158] |
Blank |
|
Blank |
|
Illustration "Example of Design for a Lamenr" |
[159-161] |
Text |
[162] |
Blank |
[163] |
Divisional title ‘THE MAGICK FIRE’ |
[164] |
Blank |
|
Blank |
|
Illustration "The Censer (Crowley's patent pattern)" |
[165-171] |
Text |
[172] |
Blank |
[173] |
Divisional title ‘GLOSSARY’ |
[174] |
Blank |
[175-179] |
Text |
[180] |
Blank |
[181-182] |
Notice to the student |
[183] |
Book
order form. |
[184] |
Order form for Part III |
[185-186] |
Note on M\M\M\ |
[187-188] |
Blanks |
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|
Contents: |
- Part II
- Magick |
|
- The
Temple |
|
- The
Circle |
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- The
Altar |
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- The
Scourge, the Dagger, and the Chain |
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- The Holy
Oil |
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-
The Wand |
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-
The Cup |
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- An
Interlude |
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- The
Sword |
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- The
Pantacle |
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- The
Lamp |
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- The
Crown |
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- The
Robe |
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- The
Book |
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- The
Bell |
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- The
Lamen |
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- The
Magick Fire; with Considerations of the Thurible, The
Charcoal, and the Incense |
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-
Glossary |
Illustrations: |
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- The Magician in His Robe and Crown. |
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- The Altar. Side Designs. |
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- The Circle. |
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- Design Suitable for Top of Altar. The Holy Oblation. |
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- The Scourge, the Dagger, and the Chain; Enclosing a Phial for Holy Oil. |
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- The Wand, Cup, Sword, and Disk or Pantacle. |
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- The Sigillum Dei Æmeth, A Pantacle made by Dr. John Dee. |
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- Example of a Design for a Lamen. |
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- The Censer (Crowley’s Patent Pattern). |
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Author’s
Working
Versions: |
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Other
Known
Editions: |
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|
Bibliographic
Sources: |
1. |
Gerald
Yorke, A Bibliography of the Works of Aleister Crowley
(Expanded and Corrected by Clive Harper from Aleister
Crowley, the Golden Dawn and Buddhism:
Reminiscences and Writings of Gerald Yorke, Keith
Richmond, editor, The Teitan Press, York Beach, ME,
2011, p. 53. |
2. |
Dianne Frances
Rivers, A Bibliographic List with
Special Reference To the Collection at the University of
Texas, Master of Arts Thesis, The University
of Texas, Austin, Texas, 1967, pp. 98-101. |
3. |
Personal
observation of the item. |
4. |
Aleister Crowley with Victor B. Neuburg and Leila
Waddell, Magick, Red Wheel/Weiser, LLC, San
Francisco, CA, 2008, pp. 721. |
5. |
J.
Edward Cornelius, The Aleister Crowley Desk
Reference, The Teitan Press, York Beach, Maine,
2013, p. 43, note 48. |
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Comments
by
Aleister
Crowley: |
She was
very unsatisfactory as a clairvoyant; she resented these
precautions. She was a quick-tempered and impulsive woman,
always eager to act with reckless enthusiasm. My cold scepticism
no doubt prevented her from doing her best. Ab-ul-Diz himself
constantly demanded that I should show “faith” and warned me
that I was wrecking my chances by my attitude. I prevailed upon
him, however, to give adequate proof of his existence and his
claim to speak with authority. The main purport of his message
was to instruct me to write a book on my system of mysticism and
Magick, to be called Book Four, and told me that by means
of this book, I should prevail against public neglect. It saw no
objection to writing such a book; on quite rational grounds, it
was a proper course of action, I therefore agreed to do so. But
Ab-ul-Diz was determined to dictate the conditions in which the
book should be written; and this was a difficult matter. He
wanted us to travel to an appropriate place. On this point I was
not wholly satisfied with the result of my cross-examination. I
know now that I was much to blame throughout. I was not honest
either with him, myself or Virakam. I allowed material
considerations to influence me, and I clung—oh triple fool!—to
my sentimental obligations towards Laylah.
We finally decided to do what he asked, though part of my
objection was founded on his refusal to give us absolutely
definite instructions. However, we crossed the passes in a
sleigh to Chiavenna, whence we took the train to Milan. In this
city we had a final conversation with Ab-ul-Diz. I had exhausted
his patience, as he mine, and he told us that he would not visit
us any more. He gave us his final instructions. We were to go to
Rome and beyond Rome, though he refused to name the exact spot.
We were to take a villa and there write Book Four.
— The Confessions of Aleister Crowley. New
York, NY. Hill and Wang, 1969. Pages 677-678.
______________________________
The idea
was as follows. I was to dictate; Virakam to transcribe, and if
at any point there appeared the slightest obscurity—obscurity
from the point of view of the entirely ignorant and not
particularly intelligent reader; in a word, the average
lower-class man in the street—I was to recast my thoughts in
plainer language. By this means we hoped to write a book well
within the compass of the understanding of even the simplest-
minded seeker after spiritual enlightenment.
Part One of Book Four expounds the principles and
practice of mysticism in simple scientific terms stripped of all
sectarian accretion, superstitious enthusiasms or other
extraneous matter. It proved completely successful in this
sense.
Part Two deals with the principles and practice of Magick. I
explained the real meaning and modus operandi of all the
apparatus and technique of Magick. Here, however, I partially
failed. I was stupid enough to assume that my readers were
already acquainted with the chief classics of Magick. I
consequently described each Weapon, explained it and gave
instructions for its use, without making it clear why it should
be necessary at all. Part Two is therefore an wholly admirable
treatise only for one who has already mastered the groundwork
and gained some experience of the practice of the art.
The number 4 being the formula of the book, it was of course to
consist of four parts. I carried out this idea by expressing the
nature of the Tetrad, not only by the name and plan of the book,
but by issuing it in the shape of a square 4 inches by 4, and
pricing each part as a function of 4. Part One was published at
4 groats, Part Two at 4 tanners, Part Three was to cost 3 “Lloyd
George groats” (at this time the demagogue was offering the
workman ninepence for fourpence, by means of an insurance
swindle intended to enslave him more completely than ever). Part
Four, 4 shillings. Part Three was to deal with the practice of
Magick, and Part Four, of The Book of the Law with its
history and the Comment; the volume, in fact indicated in the
Book itself, chapter III, verse 39.
— The Confessions of Aleister Crowley. New
York, NY. Hill and Wang, 1969. Page 680.
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Reviews: |
Herein
are described the implements of the Magician, their magical
significance, the furniture of the temple wherein he works, and
the modus operandi of one who would be called Adept.
Although we have here much sound information of a magical nature
which should prove of the greatest value to those who chose the
Path of Ceremonial Magick as the means of attainment best suited
to their temperament, there are not lacking incongruities whose
absurdity is only too manifest. For instance, we are told
that the Magick Cup is
“full
of bitterness, and of blood, and of intoxication”:
yet in another place it is asserted that the same cup is
“the
heavenly food of the Magus.”
On p. 39 we read, printed in big black type, that
“any
will but to give up the self to the Beloved is Black Magic,”
and again on p. 81 that
“the
soul must descend into all falsity in order to attain All-Truth.”
We are further informed, regarding our latent tendencies that
“every
one must be awakened, and every one must be destroyed.”
One would have thought it quite sufficient to be a spectator of
the horrors of hell without taking especial pains to materialize
them in the magic workshop of the mind. It seems
unnecessary, not to say dangerous, to invoke demons, which,
after all, must be destroyed. On p. 100 we read that
“The
mind must be broken up into a form of insanity before it can be
transcended.”
This also seems unnecessarily severe, though a likely enough
sequel to the prelude of invoking the dog-faced demons of the
Abyss. While quite agreeing that the few who will survive
the ordeal of this method of initiation will be in every way
exceptional men, it is doubtful whether one who has thus
survived is justified in inviting others to follow in his
footsteps or even in thinking
that the method whereby he attained may be employed safely by
any one but himself. For one's man's profit is another
man's loss. Be that as it may, the intelligent perusal of
this work will enable the student to penetrate the mists that
shrouded the writings of the mediæval magicians. He will
certainly discover that the most sublime truths are hidden
beneath their obscure symbolism. Also the most abstruse
problems are, on the whole, dealt with in an exceptionally clear
manner, and for this reason alone the book should appeal to a
large number of persons. Clear language and transcendental
experiences are not often such close companions as in this
instance. It is safe to say that an occult work of this
character will exert a decided influence upon the majority of
its readers.
— AQUILA, The
Occult Review, June 1915. |
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