100th
MP
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THE
100th
MONKEY
PRESS |
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Limited Editions by Aleister Crowley & Victor B. Neuburg |
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Bibliographies |
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Aleister
Crowley
WANTED !!NEW!!
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THE COLLECTED WORKS OF ALEISTER CROWLEY TRAVELERS’ EDITION |
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»» Download Scan of Original Book - Volume 1 «« |
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Title: |
The Collected Works of Aleister Crowley (Travelers’ Edition). |
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Variations: |
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Publisher: |
Society for the Propagation of Religious Truth (S.P.R.T.).6 |
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Printer: |
Ballantyne, Hanson & Co.2 |
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Published At: |
Boleskine, Foyers, Inverness.6 |
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Date: |
1905-1907.5 |
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Edition: |
1st Edition. |
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Pages: |
(x + 270) + (viii + 2 + 282) + (viii + 248)5 |
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Price: |
Priced at three pounds and three shillings bound in white vellum with green ties and two pounds and two shillings bound in white buckram.4 |
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Remarks: |
Ivor Back, an old friend of Crowley's who was both a practicing surgeon and an enthusiast of literature served as the editor for the Collected Works.3 |
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Pagination:1 |
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Contents: |
VOLUME I ACELDAMA - Dedication - Aceldama THE TALE OF ARCHAIS - The Author’s Ballade of His Tale - The Tale of Archais - Part I - The Tale of Archais - Part II - The Tale of Archais - Part III - The Tale of Archais - Part IV - Epilogue SONGS OF THE SPIRIT - Dedication - The Goad - In Memoriam A.J.B. - The Quest - The Alchemist - Sonnets to Night - The Philosopher’s Progress - Sonnett - An Ill Dream - The Priest Speaks - The Violet’s Love-Story - The Farewell of Paracelsus to Aprile - A Spring Snowstorm in Wastdale - In Neville’s Court, Trinity College, Cambridge - Succubus - A Rondel - Nightfall - The Initiation - Isaiah - The Storm - Wheat and Wine - A Rondel - The Visions of the Ordeal - Power - Vespers - By the Cam - Astrology - Dædalus - Epilogue THE POEM - Scene I - Scene II - Scene III - Scene IV JEPHTHAH - Preliminary Invocation - Jephthah MYSTERIES - The Five Kisses I. After Confession II. The Flight III. The Spirit After IV. The Voyage Southward V. The Ultimate Voyage - The Honourable Adulterers I. II. - The Legend of Ben Ledi - A Descent of the Moench - In a Cornfield - Dreams - The Triumph of Man - The Dreaming Death - A Sonnett in Spring - De Profundis - Two Sonnetts I. “My Soul is Aching” II. “The Constant Ripple” - A Valentine - Ode to Poesy - Two Sonnets I. “Self-Damned, The Leprous Moisture” II. “Lust, Impotence” - Beside the River - Man’s Hope - Sonnet - A Woodland Idyll - Perdurabo - On Garret Hostel Bridge - Astray in Her Paths - Sonnet to Clytie - A Valentine, ‘98 - Penelope - A Sonnet of Blasphemy - The Rape of Death - In the Woods with Shelley - A Vision Upon Ushba - Elegy - Epilogue JEZEBEL AND OTHER TRAGIC POEMS - Dédicace - Perdita - Jezebel. Part I. - Jezebel. Part II. - Concerning Certain Sins - A Saint’s Damnation - Lot - Epilogue AN APPEAL TO THE AMERICAN REPUBLIC
THE FATAL FORCE I. The Court of the Profane: Prologue-Obsession - Fame - The Mother at the Sabbath - The Bridegroom - The Altar of Artemis - The Course of True Love - Asmodel - Madonna of the Golden Eyes - Love at Peace - Mors Janua Amoris - The May Queen - Sidonia the Sorceress - The Growth of God - To Richard Wagner - The Two Emotions - The Sonnet I. - The Sonett. II. - Wedlock. A Sonett - Sonnet for Gerald Kelley’s Drawing of Jezebel - Many Waters Cannot Quench Love - Coenum Fatale - The Summit of the Amorous Mountain - Conventional Wickedness - Love’s Wisdom - The Pessimist’s Progress - Nephthys - Against the Tide - Styx - Love, Melancholy, Despair II. The Gate of the Sanctuary - To Laura - The Lesbian Hell - The Nameless Quest - The Reaper - The Two Minds - The Two Wisdoms - The Two Loves - A Religious Bringing-up - The Law of Change - Synthesis III. The Holy Place - The Neophyte - Sin: An Ode - The Name - The Evocation - The Rose and the Cross - Happiness - The Lord’s Day - Cerberus IV. The Holy of Holies - The Palace of the World - The Mountain Christ - To Allan MacGregor - The Rosicrucian - The Athanor - The Chant to be said or sung unto our Lady Isis - A Litany CARMEN SAECULARE - Prologue - The Exile - “Carmen Saeculare” - In the Hour Before Revolt - Epilogue TANNHÄUSER - Dedication - Preface - Tannhäuser EPILOGUE: A Death in Thessaly APPENDIX: Qabalistic Dogma
VOLUME II ORACLES: THE AUTOBIOGRAPHY OF AN ART - The Death of a Drunkard - A Peep Behind the Scenes - Lines on Being Invited to Meet the Premier in Wales, September, 1892 - The Balloon - Spolia Opima - A Welcome to Jabez - Elvina - Adaptation of “Onward Christian Soldiers” to the Needs of the Brethren - To Mrs. O...n C...t - The Little Half-Sovereign - Ode to Sappho - In a Lesbian Meadow - “ ‘Tis Pity—” - Epilogue to “Green Alps” - Two Sonnets in Praise of a Publisher - My Wife Dies - Ode to Venus Callipyge - The Cannibals - The Blood-Lotus - The Nativity - Translations from Baudelaire - Chaldean Fools - Call of the Slyphs - Invocation - Hymn to Apollo - The Hermit’s Hymn to Solitude - The Storm - Assumpta Canida - Venus - A Litany - March in the Tropics - Night in the Valley - Metempsychosis - Advice of a Letter - On Waikiki Beach - The Triads of Despair - The Dance of Shiva - Sonnet for a Picture - The House - Anima Lunae - “ ‘Sabbé Pi Dukkham” - Dhammapada - St. Patrick’s Day, 1902 - The Earl’s Quest - Eve - The Sibyl - La Coureuse - Sonnet for a Picture - To “Elizabeth” - Rondels (At Monte Carlo) - In the Great Pyramid of Ghizeh - The Hills ALICE: AN ADULTERY - Introduction by the Editor What Lay Before - White Poppy - Messaline - California - Margaret Alice: An Adultery - The First Day - The Second Day - The Third Day - The Fourth Day - Reincarnation - The Fifth Day - The Sixth Day - The Seventh Day - The Eighth Day - The Ninth Day - The Tenth Day - The Eleventh Day - The Twelfth Day - Red Poppy - The Thirteenth Day - The Fourteenth Day - The Fifteenth Day - The Sixteenth Day - Alice - The Seventeenth Day - The Eighteenth Day - The Nineteenth Day - The Twentieth Day - The Twenty-First Day - The Twenty-Second Day - The Twenty-Third Day - The Twenty-Fourth Day - The Twenty-Fifth Day - The Twenty-Sixth Day - Under the Palms - The Twenty-Seventh Day - The Twenty-Eighth Day - The Twenty-Ninth Day - The Thirtieth Day - The Day Without a Number - The Thirty-First Day - The Thirty-Second Day - The Thirty-Third Day - The Thirty-Fourth Day - The Thirty-Fifth Day - The Thirty-Sixth Day - Lethe - The Thirty-Seventh Day - The Thirty-Eighth Day - The Thirty-Ninth Day - The Fortieth Day - The Forty-First Day - The Forty-Second Day - At Last - The Forty-Third Day - The Forty-Fourth Day - The Forty-Fifth Day - The Forty-Sixth Day - The Forty-Seventh Day - The Forty-Eighth Day - The Forty-Ninth Day - The Fiftieth Day I. II. III. IV. THE ARGONAUTS - Actus Primus – Jason - Actus Secundus – Argo - Actus Tertius – Medea - Actus Quartus – Sirenae - Actus Quintus - Ares AHAB AND OTHER POEMS - Dedicace - Rondel - Ahab. Part I. - Ahab. Part II. - New Year, 1903 - Melusine - The Dream THE GOD-EATER - Act I. - Act II. THE SWORD OF SONG - Preliminary Invocation – Nothing - Introduction to “Ascension Day and Pentecost” - Ascension Day - Pentecost - Notes to Ascension Day and Pentecost Note to Introduction Notes to Ascension Day Notes to Pentecost AMBROSII MAGI HORTUS ROSARUM THE THREE CHARACTERISTICS - I. - II. - III. - IV. - V. - VI. - VII. - VIII. - IX. - X. - XI. - XII. - XIII. BERASHITH: AN ESSAY IN ONTOLOGY SCIENCE AND BUDDHISM - I. - II. - III. The Four Noble Truths - IV. The Three Characteristics - V. Karma - VI. The Ten Fetters or San-Yoganas - VII. The Relative Reality of Certain States of Consciousness - VIII. Mahasatipatthana - IX. Agnosticism - X. The Noble Eightfold Path - XI. The Twilight of the Germans - XII. The Three Refuges - XIII. Conclusion THE EXCLUDED MIDDLE: OR, THE SCEPTIC REFUTED TIME EPILOGUE
VOLUME III THE STAR AND THE GARTER - Argument - I. - II. - III. - IV. - V. - VI. - VII. - VIII. - IX. - X. - XI. - XII. - XIII. - XIV. - XV. - XVI. - XVII. - XVIII. - XIX. - XX. - XXI. - XXII. - XXIII. - XXIV. - XXV. - XXVI. - XXVII. - XXVIII. - XXIX. - XXX. - XXXI. - XXXII. - XXXIII. - Appendix WHY JESUS WEPT - Persons Studied - Dedicatio Minima - Dedicatio Minor - Dedicatio Major - Dedicatio Maxima - Dedicatio Estraordinaria - Why Jesus Wept - Scene I. - Scene II. - Scene III. - Scene IV. - Scene V. - Scene VI. - Scene VII. - Scene VIII. - Scene IX. - Scene X. - Scene XI. - Scene XII. - Scene XIII. - Scene XIV. ROSA MUNDI, AND OTHER LOVE-SONGS - I. Rosa Mundi - II. The Nightmare - III. The Kiss - IV. Annie - V. Brünnhilde - VI. Dora - VII. Fatima - VIII. Flavia - IX. Katie Carr - X. Nora - XI. Mare - XII. Xantippe - XIII. Eileen - XIV. - XV. - XVI. - XVII. - XVIII. Friendship - XIX. - XX. - XXI. - XXII. - XXIII. Protoplasm - XXIV. - XXV. - XXVI. - XXVII. - XXVIII. THE SIRE DE MALÉTROIT’S DOOR - Scene I. - Scene II. - Scene III. GARGOYLES - To L. Bentrovata Images of Life - Prologue – Via Vitae - The White Cat - Ali and Hassan - Al Malik - Song - Anicca - Tarshitering - A Fragment - The Stumbling Block - Woodcraft - A Nugget from a Mine - Au Caveau Des Innocents - Rosa Inferni - Diogenes - Said - Epilogue – Prayer Images of Death - Prologue – Patchouli - Kali - The Jilt - The Eyes of Pharoah - Banzai! - Le Jour Des Morts - Ave Mors - The Moribund - The Beauty and the Bhikkhu - Immortality Epilogue – The King-Ghost RODIN IN RIME A Study in Spite Frontispiece – Rodin Various Measures - The Tower of Toil - La Belle Heaulmiere - Femme Accroupie - Caryatide - Jeune Mere - L’amour Qui Passe - Tete de Femme (Musee du Luxembourg) - La Casque D’or - Les Bourgeois de Calais - Reveil d’Adonis - La Main de Dieu - Desespoir - Epervier et Colombe - Resurrection - L’Eternel Printemps - Acrobates - L’Age d’Airain - Fauness Sonetts and Quatorzains - Madame Rodin - Le Penseur - La Pensee - Le Baiser - Bouches s’Enfer - La Guerre - W. E. Henley - Syrinx and Pan - Icare - La Fortune - Paola et Francesca - Les Deux Genies - La Cruche Cassre - La Tentation de Saint-Antoine - Eve - Femmes Damnees - Nabuchadnosor - Mort d’Adonis - Balzac - Le Cyclops surprend Acis et Galather - Octave Mirbeau - Socrate - Colophon – An Incident ORPHEUS - Warning - Exordium - Liber Primus vel Carminum - Liber Secundus vel Amoris - Liber Tertius vel Laboris - Liber Quartus vel Mortis EPILOGUE AND DEDICATION - Epilogue and Dedication of Volumes I., II., III. - Eleusis APPENDIX A - Bibliographical Note APPENDIX B - Index of First Lines |
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Author’s Working Versions: |
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Other Known Editions: |
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Bibliographic Sources: |
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Comments by Aleister Crowley: |
We wandered back to Boleskine, after arranging with a doctor named Percival Bott to come and stay with us and undertake the accouchement. I asked my Aunt Annie to preside over the household, and an old friend of Gerald’s (Kelly) and mine, Ivor Back, at this time a surgeon at St. George’s, to make up the house party. Ivor Back is one of the most amusing companions possible, to those who can stand him. He knows a good deal about literature and had published in The Hospital magazine some of the poems in which I had celebrated various diseases. I dedicated my In Residence, a collection of my undergraduate verses, to him, and he collaborated with me to a certain extent in the composition of various masterpieces of the lighter kind. He and Gerald are also responsible for numerous improvements in the preface to Alice, An Adultery. He also edited the three volumes of my Collected Works, supplying learned notes to divers obscure passages. — The Confessions of Aleister Crowley. New York, NY. Hill and Wang, 1969. Pages 405-406. ______________________________
My
activities as a publisher were at this time remarkable. I had
issued The God-Eater and The Star & the Garter
through Charles Watts & Co. of the Rationalist Press
Association, but there was still no such demand for my books as
to indicate that I had touched the great heart of the British
public. I decided that it would save trouble to publish them
myself. I decided to call myself the Society for the Propagation
of Religious Truth, and issued The Argonauts, The
Sword of Song, the Book of the Goetia of Solomon the King,
Why Jesus Wept, Oracles, Orpheus,
Gargoyles and The Collected Works. I had simply no
idea of business. Besides this, I was in no need of money; my
responsibility to the gods was to write as I was inspired; my
responsibility to mankind was to publish what I wrote. But it
ended there. As long as what I wrote was technically accessible
to the public through the British Museum, and such places, my
hands were clean. — The Confessions of Aleister Crowley. New York, NY. Hill and Wang, 1969. Page 406. |
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