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Title: |
The Fun of
the Fair. |
|
Upper Cover
Lower Cover
Interior Cover
Title
Page
Frontispiece
Limitation Page
Dedication
Errata Slip
Landed Gentry
Landed Gentry
Page 2 (Folded)
Landed Gentry
Page 2 (Unfolded)
Political Vote
(Folded)
Political Vote
(Unfolded)
Prospectus
Front
Prospectus
Back |
Print
Variations: |
200 copies printed on mould-made rag paper.1
Bound in thick gray paper wrappers.1
Upper cover lettered in red ‘THE FUN OF THE FAIR | by
| ALEISTER CROWLEY’.
The limitation page states that copies are signed, only
a small number actually were, usually under the
frontispiece portrait.1
Numbered with a mechanical stamp.1
10” x 6 1/4”.2 |
|
|
Publisher: |
Ordo
Templi Orientis (O.T.O.).2 |
|
Printer: |
Chiswick
Press Ltd., London, N. 11.2 |
|
Published At: |
Rancho
RoyAL, Route 1, Barstow, Cal., U.S.A. and at 93 Jermyn Street,
London, S.W.1.2 |
|
Date: |
22
December 1942, 11.31 a.m.2 |
|
Edition: |
1st
Edition. |
|
Pages: |
vii + 24.2 |
|
Price: |
Priced at
1 guinea.2 |
|
Remarks: |
This book was
bound to match Crowley's
The
City of God.
Has a portrait of Crowley by Cambyses Daguerre Churchill as a
frontispiece.
Some
copies have an errata slip tipped on to the half title page.
Some copies have a mimeographed sheet that contains the piece
“Political Vote. B----Y Secret” and the poem “Landed Gentry”
tipped in at the rear of the book.
Crowley had tried to get these poems included in the body of the
book, but had been rebuffed by several printers who feared that
they would be prosecuted for publishing anything that might be
considered anti-government propaganda under the strict wartime
censorship laws. Eventually Crowley hit upon the ploy of
having a mainstream printer produce the books, and having the
“dubious
poems”
duplicated by a jobbing printer. He then had the extra poems
tipped into the rear of some of the copies of the books.
The copies with extra poems tend to be those that were
distributed in Britain during Crowley's lifetime (which were
also normally signed by him). Those copies that were sent for
distribution in America via Agape Lodge, or after his death,
generally did not include the poems, probably because they were
largely of local significance to the UK although Crowley may
also have concerned that if sent abroad they would have been
subject to increased censorial examination, and possibly
confiscation.5
Distribution:
—Copy #0 was among the inventory conducted by Kenneth Grant of
Crowley's Books at Netherwood.”4
—Copy #3 went to Karl Germer with an inscription by
Crowley which read “To my best of brothers devotedly, with will
to his enduring happiness, the Traveler Aleister Crowley.”6
—Copy #4 went to Sascha Germer with an inscription by
Crowley which read “My dear Sascha! that I can offer you no
worthier wedding present than this book. But all my
heart—for what that may be worth!—goes with it. May this,
however seedling though it is, prove earnest of a happier
harvest! Yours Aleister. No 4.”6
—Copy #5 went to Louis Umfreville Wilkinson
with an inscription by Crowley which read ‘My dear Louis
Do what thou wilt shall be the whole of the Law
Guess who begat the authentic heir to Pan!
“A
Mr. Wilkinson, a clergyman.”
Love is the law, love under will. Yours for more than
thirty years, Aleister’.3
—Copy #8 went to Lady Frieda Harris with an inscription from
Crowley which read ‘To Soror Tzba for a hidden device... from
her devoted fellow-worker who is The Great Beast 666 Aleister
Crowley’10
—Copy #9 went to
Gerald Yorke with an inscription from
Crowley. This copy currently resides in the Warburg
Institute.9
—Copy #13 went to
Mrs. Pearl Brook-Smith with an inscription from Crowley which
read ‘. . . to my own sweet Eve. . .’7
—Copy #13
(again) went to Cordelia Sutherland with an inscription from
Crowley which read ‘. . . to my blessed benefactress, Cordelia.
. .’8
—Copy #52 went to
Ben Stubbins.13
—Copy #55 went to
“Mrs. Harris.”11
—Copy #56 went to
Dr. Brown Thomson.12
—Copy #73 went to
Grady. McMurtry with the inscription "To my brother Grady L.
McMurtry. Most welcome visitor to 93 Jermyn St. Oct 30, '43 E.V.
Aleister Crowley".14 |
|
Pagination:2 |
Page(s) |
|
[
i] |
Half-title |
[
ii] |
Preface |
[
iii] |
Blank |
[
iv] |
Cut |
[
v] |
Title-page |
[
vi] |
Dedication |
[
vii] |
Preface by Louis Marlow |
[
viii] |
Blank |
[1-23] |
Text |
[
24] |
Limitation notice, Colophon ‘Printed in England | by
Chiswick Press Ltd., London, N. 11 Portrait by Cambyses
Daguerre Churchill | Temple Bar 5788.’ |
|
|
Contents: |
|
|
Author’s
Working
Versions: |
|
|
Other
Known
Editions: |
|
|
Bibliographic
Sources: |
1. |
Gerald
Yorke,
“A Bibliography of the Works of Aleister Crowley”
(Expanded and Corrected by Clive Harper from Aleister
Crowley, the Golden Dawn and Buddhism:
Reminiscences and Writings of Gerald Yorke, Keith
Richmond, editor, The Teitan Press, York Beach, ME,
2011, p. 48. |
2. |
Personal observation of the item. |
3. |
Call No.
PR 6005 R7
F8 1942 - Copy 2.
Harry Ransom Center, University of Texas, Austin, Texas. |
4. |
Kenneth Grant, Remembering Aleister
Crowley, Skoob Books Publishing, London, 1991, p.
54. |
5. |
Weiser Antiquarian Books, On-Line Catalog
# 117, “Aleister Crowley and Circle. A Miscellany
of Used and Rare Books and Ephemera.” |
6. |
Bill Heidrick,
Thelema Lodge Calendar, November 1997,
Internet resource last accessed on 27 November 2015. |
7. |
Call No.
PR6005.R88
F8 1942.
Bird Library, Special Collections, University of
Syracuse, Syracuse, New York. |
8. |
Call No.
PR6005.R88
F8 1942 c.2.
Bird Library, Special Collections, University of
Syracuse, Syracuse, New York. |
9. |
Call No.
EMH 1160.F85.
Warburg Institute,
University of London. |
10. |
Sotheby's Auction, 28
January 1999, Sale L09201, Lot 523. |
11. |
Aleister Crowley, Diary entry for 21 June 1944,
unpublished. |
12. |
Aleister Crowley, Diary entry for 2 September 1943,
unpublished. |
13. |
Letter
from Aleister Crowley to Ben Stubbins, dated 1 January
1943.
Warburg Institute,
University of London, NS 113. |
14. |
Baphonet Internet Resource,
https://archives.bapho.net/C/C0000195/s0000002b.gif. |
|
|
Comments
by
Aleister
Crowley: |
From
early boyhood my imagination had been excited by accounts of the
Great Fair at Nijni Novgorod. Finding “the time and the place
and the loved one all together”, at the cost of a slight effort,
I decided to trot off and see “The Fun of the Fair”, by which
title I called the poem in which I describe my excursion. The
way in which I wrote it is, I imagine, unique in literature. I
wrote down in heroic couplets every incident of the adventure
exactly as it occurred and when it occurred. The only variation
is that occasionally I permit myself to exaggerate the facts (as
in enumerating the races of men whom I met) when the spirit of
humour takes charge.
This poem should have appeared in the English Review in
the autumn of 1914. It was pushed out to make way for my “Appeal
to the American Republic”, reprinted from boyhood’s happy days,
with such politically necessary revisions as “the traitor
Prussian” instead of “the traitor Russian”. It has thus never
yet seen the light.
— The Confessions of Aleister Crowley.
New York, NY. Hill and Wang, 1969. Pages 716-717. |
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