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Title: |
Jephthah.
A Tragedy. |
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Upper Cover
Lower Cover
Interior Cover
Title Page
Dedication
Text
Staples - Front of Book
Staples - Rear of Book
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Print
Variations: |
25
copies printed on machine-made paper.1
All edges cut.3
Bound with staples in glued on gray wrappers.1
Upper cover lettered in a black auto-lithograph script ‘Aleister Crowley |
“Jephthah”
| [rule]’.1
8 3/8” x 5 1/2”.3
______________________________
One copy rebound by Zaehnsdorf in full
blue crushed levant morocco
leather for presentation to the dedicatee (Gerald Kelly).4
Gilt panels on spine.4
Gilt borders and dentelles.4
Original wrappers bound in.4
8 1/4” x 5 1/2”.4
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Publisher: |
Privately
published. |
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Printer: |
The
Chiswick Press.1 |
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Published At: |
London.1 |
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Date: |
circa
November 1898. |
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Edition: |
1st
Edition. |
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Pages: |
ii + 71.3 |
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Price: |
Marked as
“Not for Sale.”1 |
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Remarks: |
Dedicated to Gerald
Kelly.1
This series of three pamphlets, including “The
Poem” and “The
Honourable Adulterers” were printed from the paged type of
“Jephthah and Other
Mysteries,”
which was then in the press, and were issued
separately as advance editions.2 |
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Pagination:3 |
Page(s) |
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[
i] |
Title-page |
[
ii] |
Blank |
[
1] |
Fly-title |
[
3] |
Dedication |
[
4] |
Persons of the play |
[5
- 69] |
Text |
[70 - 71] |
Note |
[ ] |
Blank |
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Contents: |
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Author’s
Working
Versions: |
1. |
Bound holograph manuscript with revisions in the hand of
Aleister Crowley. Pages: 367. Dated: 1898. Box 7,
Folders 5-6.
Harry Ransom Center, Austin, TX. |
2. |
Printed version with revisions in the hand of Aleister
Crowley. Pages: 224. Dated: 1898. Box 7, Folder 7.
Harry Ransom Center, Austin, TX. |
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Other
Known
Editions: |
+ |
Jephthah and Other Mysteries. Lyrical and Dramatic.
Kegan Paul, Trench, Trübner & Co., London, 1899. |
+ |
The Collected Works of Aleister Crowley, Vol. I,
Society for the Propagation of Religious Truth,
Boleskine, Foyers, Inverness, 1905. |
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Bibliographic
Sources: |
1. |
L. C. R.
Duncombe-Jewell, Notes Towards An Outline of
A Bibliography of the Writings in Prose and Verse of Aleister Crowley, The Works of Aleister Crowley,
Volume III, Appendix A, Gordon Press, New York, 1974, p.
235. |
2. |
Ibid., p. 233. |
3. |
Dianne Frances
Rivers, A Bibliographic List with
Special Reference To the Collection at the University of
Texas, Master of Arts Thesis, The University
of Texas, Austin, Texas, 1967, p. 10. |
4. |
Timothy d’Arch Smith,
“Aleister Crowley’s Aceldama
(1898): The A B Copy”, Book Collector, 56, 2 (Summer
2007), p. 221. |
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Comments
by
Aleister
Crowley: |
During the
whole summer, the weather got steadily worse and my health took
the same course. I found myself obliged to leave the camp and
go to London to see doctors. I took rooms in an hotel in
London, attended to the necessary medical treatment and spent my
time writing poetry. The play Jephthah was my principal
work at this period. It shows a certain advance in bigness of
conception; and has this notable merit, that I began to realize
the possibility of objective treatment of a theme. Previous to
this, my lyrics had been more or less successful expressions of
the ego; and I had made few attempts to draw characters who were
not more than Freudian wish phantasms — I mean by this that
they were either projections of myself as I fancied myself or
aspired to be; otherwise, images of women that I desired to
love. When I say “to Love”, I doubt whether the verb meant
anything more than “to find myself through”. But in Jephthah,
weak as the play is, I was really taking an interest in other
people. The characters are not wholly corrupted by
self-portraiture, I suck to the Hebrew legend accurately enough,
merely introducing a certain amount of Cabbalistic knowledge.
—
The
Confessions of Aleister Crowley.
New York, NY. Hill and Wang, 1969. Page 165.
______________________________
On my
return from Switzerland in 1898, I had nowhere in particular to
go. There was no reason why I should settle down in any special
place. I simply took a room in the Cecil, at that remote period
a first-class hostelry, and busied myself with writing on the
one hand and following up the magical clues on the other. Jephthah,
and most of the other poems which appear in that volume, were
written about this period. It is a kind of backwater in my life.
I seem to have been marking time. For this reason, no doubt, I
was the more ready to be swept away by the first definite
current. It was not long before it caught me.
—
The
Confessions of Aleister Crowley.
New York, NY. Hill and Wang, 1969. Page 172. |
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