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THE VISION AND THE VOICE


 

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Title:

The Vision and the Voice

   

Upper Cover

 

Spine / Cover

 

Lower Cover

 

Interior Cover

 

Spine

 

Title Page

 

Equinox Headline

 

Vision Headline

 

Print

Variations:

Unknown number of copies made up of the same sheets printed for the Equinox and bound separately.

Bound in white buckram.1

Upper cover lettered in gilt, ‘418 [upper left hand] | 666 [lower right hand].’ 1

Spine lettered in gilt vertically down the spine ‘LIBER XXX AERVM • • • • • • • • • •’ 1

10 3/16” x 7 1/2”.1

 

Publisher:

Simpkin, Marshall, Hamilton, Kent and Co.3

 

Printer:

 

 

Published:

London.

 

Date:

Circa 1911.3

 

Edition:

 

 

Pages:

ii + 176.1

 

Price:

 

 

Remarks:

This is an offprint from Crowley's The Equinox, Volume I, No. 5.2 

 

Pagination:1

Page(s)

 

[ i]

Blank

[ ii]

Frontispiece - ‘Alphabet of Daggers’

[ 1]

Title page

[ 2]

‘A\A\ Publication in Class A B.’

[3-176]

Text

 

Contents:

LIBER XXX AERVM, VEL SAECVLI SVB FIGVRA CCCCXVIII.  Being of the Angels of the 30 Aethyrs.  The Vision and the Voice.

 

Author’s

Working

Versions:

1.

Holograph manuscript with notations in the hand of Aleister Crowley.  Contained in 6 notebooks.  Pages:  337.  Dated:  1909.  Box 5, Folders 1-3.  Harry Ransom Center, Austin, TX.

2.

Typescript with commentary in the hand of Aleister Crowley.  Pages:  163.  Box 5, Folder 4.  Harry Ransom Center, Austin, TX.

 

Other

Known

Editions:

+

The Vision and the Voice, The Equinox, Volume I, Number 5, Aleister Crowley at the Office of the Equinox, London, March 1911.

+

The Vision and the Voice, Thelema Publishing Company; Barstow, California, 1952.

+

The Vision and the Voice.  Thelema Publishing Company; Barstow, California, circa 1980.  (2nd Issue by Helen Parsons-Smith).

 

Bibliographic

Sources:

1.

Dianne Frances Rivers, A Bibliographic List with Special Reference To the Collection at the University of Texas,  Master of Arts Thesis, The University of Texas, Austin, Texas, 1967, p. 152. 

2.

Personal observation of the item.

3.

J. Edward Cornelius, The Aleister Crowley Desk Reference, The Teitan Press, York Beach, Maine, 2013, p. 344.

 

Comments by

Aleister

Crowley:

     In The Vision and the Voice, the attainment of the grade of Master of the Temple was symbolized by the adept pouring every drop of his blood, that is his whole individual life, into the Cup of the Scarlet Woman, who represents Universal Impersonal Life. There remains therefore (to pursue the imagery) of the adept “nothing but a little pile of dust”. In a subsequent vision the Grade of Magus is foreshadowed; and the figure is that this dust is burnt into “a white ash”, which ash is preserved in an Urn. It is difficult to convey the appropriateness of this symbolism, but the general idea is that the earthly or receptive part of the Master is destroyed. That which remains has passed through fire; and is therefore, in a sense, of the nature of fire. The Urn is engraved with a word or symbol expressive of the nature of the being whose ash is therein. The Magus is thus, of course, not a person in any ordinary sense; he represents a certain nature or idea. To put it otherwise, we may say, the Magus is a word. He is the Logos of the Aeon which he brings to pass.

    — The Confessions of Aleister Crowley.  New York, NY.  Hill and Wang, 1969.  Page 795.

 

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