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Title: |
The
World’s Tragedy. |
|
Upper Cover
Lower Cover
Turned-In
Cover Detail
Title Page
Dedication
Book Catalog
Page xxvii
Page xxviii
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Print
Variations: |
100 copies7 printed on Van Gelder6 hand-made paper.
Pages unopened.2
Bound in limp white vellum turned-in covers.2
Upper cover stamped in gilt with an eye of Horus in a
rayed triangle and lettered in red ‘THE | WORLD’S
TRAGEDY’.2
Lower cover has an ornament stamped in red.2
Spine lettered vertically up the spine in red ‘THE WORLD’S
TRAGEDY’.2
9” x 6 1/2”.2 |
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Publisher: |
Privately
published. |
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Printer: |
Philippe
Renouard, 19 Rue des Sainta-Peres.3,
6 |
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Published At: |
Paris.1 |
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Date: |
1910.1 |
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Edition: |
1st
Edition. |
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Pages: |
viii + xlviii +
139 + i + 3 pages of advertisements + i.2 |
|
Price: |
Priced at
42 shillings or Two Guineas as stated on the half-title page.5 |
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Remarks: |
Written during
a five-day period in February 1908.4
Title page
is printed in red and black.5
It’s said that pages xxvii and xxviii of most copies were
mutilated to erase the homosexual references contained on the
pages.6 |
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Pagination:2 |
Page(s) |
|
[i-ii] |
Blanks |
[
iii] |
Half-title |
[
iv] |
Blank |
[
v] |
Title-page |
[
vi] |
Blank |
[
vii] |
Dedication |
[
viii] |
Blank |
[I-XXXVII] |
Preface |
[XXXVIII] |
Blank |
[XXXIX-XLIII] |
Proem |
[XLIV] |
Blank |
[XLV] |
Fly-title |
[XLVI] |
Blank |
[XLVII] |
Persons of the play |
[XLVIII] |
Blank |
[
1] |
Divisional title ‘PROLOGUE | THE GARDEN OF EROS’ |
[
2] |
Blank |
[3-31] |
Prologue |
[
32] |
Blank |
[
33] |
Divisional title ‘I | THE RED STAR’ |
[
34] |
Blank |
[35-57] |
Text |
[
58] |
Blank |
[
59] |
Divisional title ‘II | THE WHITE WIND’ |
[
60] |
Blank |
[61-71] |
Text |
[
72] |
Blank |
[
73] |
Divisional title ‘III | THE BLUE DWARF’ |
[
74] |
Blank |
[75-97] |
Text |
[
98] |
Blank |
[
99] |
Divisional title ‘IV | THE BLACK BEAN’ |
[100] |
Blank |
[101-114] |
Text |
[115] |
Divisional title ‘V | THE GREY NIGHT’ |
[116] |
Blank |
[117-138] |
Text |
[139] |
‘EXPLICIT | TRAGŒDIA MUNDI’ |
[140] |
Blank |
[141-143] |
Advertisements |
[144] |
Blank |
|
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Contents: |
- Preface
- Proem
- Prologue - The Garden of Eros
- I - The Red Star
- II - The White Wind
- III - The Blue Dwarf
- IV - The Black Bean
- V - The Grey Night |
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Author’s
Working
Versions: |
1. |
Holograph manuscript with revisions in the hand of
Aleister Crowley. Pages: 146. Box 13, Folder 8.
Harry Ransom Center, Austin, TX. |
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|
Other
Known
Editions: |
|
|
Bibliographic
Sources: |
1. |
Gerald
J. Yorke,
“Bibliography
of the Works of Aleister Crowley”
in John Symonds’
The Great Beast, Rider and Co., London & New
York, 1951, p. 303. |
2. |
Dianne Frances
Rivers, A Bibliographic List with
Special Reference To the Collection at the University of
Texas, Master of Arts Thesis, The University
of Texas, Austin, Texas, 1967, pp. 86-87. |
3. |
Aleister Crowley, The Scented Garden
of Abdullah the satirist of Shiraz, The Teitan
Press, Inc., Chicago, Illinois, 1991, p. 9. |
4. |
Aleister Crowley,
The Confessions of Aleister Crowley.
New York, NY. Hill and Wang, 1969, p. 558. |
5. |
Personal observation of
the item. |
6. |
Timothy
d’Arch Smith, The Books of the Beast,
Mandrake, Oxford; 1991, p. 30. |
7. |
Keith
Hogg,
“666
Bibliotheca Crowleyana. The Collection of J.F.C.
Fuller”,
Sure Fire Press, Edmonds, Washington, 1989, p. 10. |
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|
Comments
by
Aleister
Crowley: |
I had thus
no difficulty at school as far as lessons were concerned, but in
my three years at Champney’s I had no lack of trouble; the
nature of this can only be understood if I adduce a few facts to
indicate the atmosphere. I used to tell people about my school
life and met with such consistent incredulity that I made a
little collection of incidents in the preface to my The
World’s Tragedy.
— The Confessions of Aleister Crowley.
New York, NY. Hill and Wang, 1969. Page 63.
______________________________
My twelve
months of creative spurt reached a climax in February 1908, when
I wrote the five books of
The
World’s Tragedy in five consecutive days at
Eastbourne. This is beyond all question the high-water mark of
my imagination, my metrical fluency, my wealth of expression,
and my power of bringing together the most incongruous ideas so
as to enrich my matter to the utmost. At the same time, I
succeeded in reaching the greatest height of spiritual
enthusiasm, human indignation, and demoniac satire. I sound the
gamut of every possibility of emotion from innocent faith and
enthusiasm to experienced cynicism.
— The Confessions of Aleister Crowley.
New York, NY. Hill and Wang, 1969. Page 558.
______________________________
I went
back to Paris on July 8th. I worked on Clouds Without Water,
Sir Palamedes, The World’s Tragedy and “Mr. Todd”.
In particular, I wrote the autobiographical preface to The
World’s Tragedy, some ten thousand words, at a stretch; and
certain lyrics, mostly about Dorothy, of whom more in a moment.
“Mr. Todd”, as the name implies, is a personification of death
an the idea of the play is to introduce him as deus ex machina,
helping the characters one by one out of their various troubles.
The idea sounds a good one, but apart from availing myself of my
opportunities for double entendre (“I was told the other
day that he held a lot of land in London and has more tenants
than the Duke of Westminster!”), I could not make much of it.
The repetition of the idea was bound to be rather ridiculous. It
is my one failure in this period.
The truth doubtless is that I had used up the energy accumulated
in my wanderings, and written myself out: i.e., as far as
anything big was concerned. I was in excellent form with lyrics
and wrote several as good as anything I had ever done. In
particular “After Judgment”, to the honour and glory of Dorothy,
will stand in English literature as one of the most passionate
poems in the language.
— The Confessions of Aleister Crowley.
New York, NY. Hill and Wang, 1969. Pages 573-574. |
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